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拙林:【书摘】 烛烬 (Embers) --- Marai Sandor

2016-3-19 07:12 AM| 发布者: 星光| 查看: 1090| 评论: 4|原作者: 拙林

摘要: 三月的南方,一个鸟语花香的春日下午,我被埋在这样的文字和故事下面,喘不过气来。。。 (拙林) "It was gradually getting light, slowly, as if the sun were stalking the world, feeling it very gently wi ...

三月的南方,一个鸟语花香的春日下午,我被埋在这样的文字和故事下面,喘不过气来。。。  (拙林)

  

"It was gradually getting light, slowly, as if the sun were stalking the world, feeling it very gently with the tips of its rays.  The animal stood still at the edge of the clearing and looked into the undergrowth, sensing the danger.  Instinct, the sixth sense that is more acute than smell or sight, moved in the nerves of its body.  It could not see us and it was upwind from us, so the morning breeze could not warn it; we stood motionless for a long time, already feeling the strain of keeping absolutely still - I in front, between the trees at edge of the clearing; you behind me.  The gamekeeper and the dog were some distance back.  We were alone in the forest in the solitude that is part night, part dawn, part trees, and part animals, that gives one the momentary sensation that one has lost one’s way in the world and must someday retrace one’s steps to this wild and dangerous place that is truly home.  It’s a feeling I always had when out hunting.  I saw the animal and stopped.  You saw it, too, and stopped ten paces behind me.  That is the moment when both quarry and hunter are utterly alert, sensing the entirety of the situation and the danger, even if it’s dark, even without turning the head.  What forces or rays or waves transmit knowledge at such a time?  I have no idea….The air was clear.  The pines were unruffled by the faint breeze.  The animal listened.  It did not move a muscle, stood as if spellbound, for every danger contains within it a spell, an enchantment.  When fate turns to face us and calls our name, along with the oppression and the fear we feel is a kind of attraction, because we do not only want to live, no matter what the cost, we want to know our fate and accept it, even at the cost of danger and death.  That is what the deer must have been experiencing just then.

 

“Just as I was, as I clearly remember.  And you, too, a few paces behind me – you were as mesmerized as the beast and I, both of us in front and in range of you as you lifted the safety catch with that quiet, cold click that is the sound of perfectly tempered steel going about its fatal task, whether it is a dagger crossing another or a fine English rifle being cocked for the kill.  Do you remember?”

 

“Yes,” says the guest.

 

“A classic moment,” says the General with almost a connoisseur’s pleasure.  “I was the only one to hear that click, it was too quiet to carry three hundred paces to the deer, even through the silence of the dawn.

 

“And then something happened that I could never prove in a court of law, but that I can tell you because you know it already – it was a little thing, I felt you move, more clearly than if I’d been watching you.  You were close behind me, and a fraction to the side.  I felt you raise your gun, and set it to your shoulder, take aim, and close one eye.  I felt the gun slowly swivel.  My head and the dear’s head were in the exact same line of fire, and at the exact same height; at most there may have been four inches between the two targets.  I felt your hand tremble, and I knew as surely as only the hunter can assess a particular situation in the woods, that from where you were standing you could not be taking aim at the deer.  Please understand me: it was the hunting aspect, not the human, that held my attention right then.  I was, after all, a devotee of hunting, with some expertise in its technical problems, such as the angle at which one must position oneself in relation to a deer standing unsuspecting at a distance of three hundred paces.  Given the geometrical arrangement of the marksman and the two targets, the whole thing was quiet clear, and I could calculate what was going on in the mind of the person behind my back.  You took aim for half a minute, and I knew that down to the second, without a watch.  I knew you were not a fine shot and that all I had to do was move my head a fraction and the bullet would whistle past my ear and maybe hit the deer.  I knew that one movement would suffice and the bullet would remain in the barrel of your gun.  But I also knew I couldn’t move because my fate was no longer mine to control: some moment had come, something was going to happen of its own volition.  And I stood there, waiting for the shot, waiting for you to pull the trigger and put a bullet through the head of your friend.  It was a perfect situation: no witness, the gamekeeper and the dogs were a long way back, it was one of those well-known ‘tragic accidents’ that are detailed every year in the newspapers.  The half minute passed and still there was no shot.  Suddenly the deer smelled danger and exploded into motion with a single bound that took him out of our sigh to safety in the undergrowth.  We still didn’t move.  And then, very slowly, you let the gun sink.

 

“I could not see or hear that movement, either, but I knew it as well as if I were facing you.  You lowered the gun so carefully in case even the air moving over the barrel might make a whisper and betray you, now that the moment to take the shot was gone and the deer had vanished.

 

“You see, the interesting thing is that you still could have killed me, there were no witness, and no judge would have convicted you, everyone would have rushed to surround you with sympathy, because we were the legendary friends, Castor and Pollux, together for twenty-four yhears through thick and thin, we were their reincarnation.  If you had killed me, everyone would have reached out to you, everyone would have mourned with you, because the world believes there could be no more tragic figure than someone who accidentally kills his friend.  What man, what prosecutor, what lunatic would make the unbelievable accusation that you have done it deliberately?  There is absolutely no proof that you were harboring any deadly animosity toward me.  The previous evening, we had all dined together – my wife, my relations, our hunting comrades – as a friendly circle in the castle where you had been welcome, no matter what the day, for decades, everyone had seen us together just as we always were, in the regiment and in society, as warm and affectionate as ever.  You did not owe me any money, you lived in my house like a member of the family, who could imagine you would do such a thing?  No one.  What cause would you have to murder me?  Who could be inhuman enough to imagine that you, my friend-of-friends, would kill me, your friend-of friends, when you could ask anything in life of me, receive anything you needed by way of psychological or material support, treat my house as yours, my fortune as yours to share, my family as your second family?

 

“Any accusation would have rebounded on whoever made it; the world would have punished it as a piece of insolence, and then rushed to comfort you again.

 

“That is how things stood.  And yet you didn’t fire.  Why?  What happened in that moment?  Was it just that the deer sensed the danger and fled, whereas human nature is constructed in such a way that when we have to accomplish some action that is utterly abnormal, we need some objective pretext?  Your plan was the right one, it was both precise and perfect, but perhaps it required the presence of the deer; the scene had come apart, and you let your gun drop.  It was a matter of fractions of a second; who could divide everything up into its constituent parts, see them separately and make a judgment?  And it’s really not important.  The fact is what matters, even if it would not determine a trial.  You wanted to kill me, and when something unanticipated disrupted the moment, your hand began to tremble and you didn’t do it.  The deer was already out of sight between the trees, we didn’t move, I didn’t turn around.  We stood like that for some seconds.  If I had looked you in the face just then, I might have seen it all.  But I didn’t dare.  There’s a feeling of shame that is more painful than any other in life; it’s the shame felt by the victim who is forced to look his killer in the eyes, as if he were the creature bowing before its creator.  That’s why I didn’t look at you, and as the paralysis left us, I started to walk across the clearing toward the top of the hill.  You started mechanically to move behind me.  As we went, without turning around, I said, ‘You missed your shot.’




http://www.amazon.com/Embers-S%C3%A1ndor-M%C3%A1rai/dp/0375707425/ref=sr_1_1?s=books&ie=UTF8&qid=1458448447&sr=1-1&keywords=embers+marai

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引用 2016-3-21 07:17 PM
reserved in library.  :)
引用 2016-3-21 03:38 PM
谢谢林妹妹贴了这段。行动好快!
看了文道节目后这段是我最有兴趣读的,但也在意料之中。
在Netflix看了个电影Serena,有同样的场景 不同的结局。
引用 2016-3-19 11:55 PM
昨夜雨: 我听了关于这部书的介绍。很想看看你的读后感。
太难了。  我今天刚读完,还没缓过气来。  对比一千零一夜里读出来的一小段,我觉得英文更powerful,虽然已是经过了匈牙利文到德文,再从德文到英文的双重翻译。

太值得读了。 要慢慢才能把想法集中起来。
引用 2016-3-19 11:42 PM
我听了关于这部书的介绍。很想看看你的读后感。

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