94.Roman à clef

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Roman à clef (影射小说)

Roman à clef, French for novel with a key, is a novel about real life events that is overlaid with a façade of fiction.[2] The fictitious names in the novel represent real people, and the "key" is the relationship between the nonfiction and the fiction.[3] This metaphorical key may be produced separately—typically as an explicit guide to the text by the author—or implied, through the use of epigraphs or other literary techniques.[4]

Created by Madeleine de Scudéry in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures,[4] the roman à clef has since been used by writers including Sylvia Plath, John Banville, Truman Capote, Harold Robbins, Simone de Beauvoir, Ernest Hemingway, George Orwell, Jack Kerouac, Victor Hugo, Blaise Cendrars, Philip K. Dick, Bret Easton Ellis, Jay McInerney, Naguib Mahfouz, John McGahern, Charles Bukowski, Malachi Martin, Saul Bellow, Hunter S. Thompson, James Joyce, Mary Shelley, and Djuna Barnes.[citation needed]

The reasons an author might choose the roman à clef format include satire; writing about controversial topics and/or reporting inside information on scandals without giving rise to charges of libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having to expose the author as the subject; avoiding self-incrimination or incrimination of others that could be used as evidence in civil, criminal, or disciplinary proceedings; the ability to change the background and personalities of key participants; and, the settling of scores.

Biographically inspired works have also appeared in other literary genres and art forms, notably the film à clef.

https://en.wikipedia.org/wiki/Roman_%C3%A0_clef